Rogue Cop

1954 "Temptation is a thing called money and a red-lipped blonde !"
6.6| 1h32m| NR| en| More Info
Released: 17 September 1954 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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A police detective on the take tries to catch his brother's killer.

Genre

Crime

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Director

Roy Rowland

Production Companies

Metro-Goldwyn-Mayer

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Rogue Cop Audience Reviews

YouHeart I gave it a 7.5 out of 10
HeadlinesExotic Boring
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
blanche-2 "Rogue Cop" is a 1954 film starring Robert Taylor, George Raft, Janet Leigh, Anne Francis, and Steve Forrest.People seem surprised Taylor pulls off the tough guy act - I've seen him do it before, and he was good at it.This is a no-nonsense film about a cop on the take (Taylor) whose honest cop brother (Forrest) can identify someone involved in a murder. The guy who pays off Taylor (Raft) wants him to convince his brother to suddenly not identify him. His brother won't go along with it, making for problems.I had actually just seen a 1933 Taylor film and what struck me is how many octaves his voice had gone down! Smoking and age will do that.There isn't anything special about this film. Janet Leigh is beautiful as Forrest's girlfriend with a past, and Anne Francis is Raft's decades-younger alcoholic girlfriend. Both women are fresh- faced and lovely. No pulling of punches in this movie by Taylor. My mother worshiped the ground he walked on, so I well remember his series, The Detectives. He could be rough and tough with the best of them.
sol1218 **SOME SPOILERS** Being on the scene of a murder by giving the escaped killer "Wrinkels" Fallon, Peter Brcco, a parking ticket policeman Eddie Kelvaney, Steve Forrest,has him picked out of a lineup and put in jail to be tried at a later date, What Eddie doesn't know is that "Wrinkles" got the goods on big time mobsters Beumonte and Ackerman, George Raft & Robert F. Simon, whom he's been blackmailing for over 10 years. The two hoods are now literally scared to death with what Wrinkles' got on them that he'll make a deal with the D.A for a lighter sentence to turn states evidence on them.Beaument and Ackerman do have an ace up their sleeve in having Eddie recant his testimony and that's non-other then his big brother Det. Chis Kelvaney, Robert Taylor, who's been taking payoff from them for years. Chris Kelvaney is giving the task to keep his kid brother's mouth shut with a $15,000.00 payoff himself for doing it. It just turns out that Eddie is an incorruptible good and honest cop like his and Chris late and highly decorated father and in trying to do the right thing. The right thing ends up landing him right on a cold slab in the city morgue.Robert Taylor playing a corrupt cop is at his handsome and devilish best as Det. Kalvaney as he goes through a change of life realizing what a creep he was all these years and a disgrace to not only the police department but to brother Eddie and late hero cop dad. Kalvaney dealing with crumbs like Beaumonte & Ackerman in the end redeems himself by getting blasted and left bleeding to death in a violent shootout with them.Trying to get Eddie's girl Karen, Janet Leigh, to talk him out of testifying against Wrinkle's Det. Kelvaney blackmails her. Threatening to exposed Karen of not only being, well let's just say,both used and damaged merchandise but also being notorious Miami gangster Farnkie Nemo's #1 moll. Karen at first outraged at Eddie's big brothers disgusting and underhanded tactics finally goes along with him only if it would save Eddie's life. Det. Kelvaney given by his bosses, Beaumonte & Ackerman, 48 hours to turn Eddie around is instead double cross. The two hoods have Eddie gunned down that evening in full sight of his terrified girl Karen even before she has a chance to get Eddie to change his mind in testifying.It's during these stressful and heart wrenching times that Det. Kelvaney finally sees what a disgrace he was to both his brother dad and finally to himself and has a complete break with his sleazy past. The rogue cop goes full out, even if it cost him his life, to get Beaumonte & Ackerman not only to clear his guilty conscience but also bring his brothers killers to justice.Also in the movie is a pre-Ben Casey Vince Edwards playing hit-man Joey Langly who's brought in from out of town to knock off Eddie. Langly later gets the living hell beaten out of him by Det. Kelvany and never gets to see the inside of a prison cell. With him being gunned down himself in a shootout between Kelvany, and unlike himself, straight laced and honest cop Det Myers, Robert Ellenstein, and gangsters Beaomonte & Ackerman.There's also a very young Anne Francis as Beaumonte's live-in moll Nancy whom he keep drunk all the time,to keep her mind off his business. Later after she got on Beaumonte's nerves by pouring a bucket of ice cubes over his head after an outraged, Det. Kelvaney worked him over and broke it, which has her being kicked out of his penthouse and into, as an act of unholy revenge, one of Beaumonte's sleazy illegal business establishments Fonzo's whorehouse. That lead Nancy to reveal, to Det. Kelvaney, just what exactly Wrinkles got on him and his partner Ackerman that the two hoodlums would go as far as murdering a policeman to keep from seeing the light of day.
verbusen I caught this on TCM Middle East the other night. First thought was in regard to the opening, my the titles are very sparse and with no soundtrack music it really added to a gritty feel. Then we get to see one hell of a gritty city with a women who looked 50 but was probably in her 30's buying a narcotic from a dealer in the penny arcade (boy I'm lucky enough to have seen one of must be the arcades with penny films in it at Grand Central Station NYC in the 1970's, pretty cool gone by times). So I'm wondering what this womens role is in the film when she slips away after getting her fix, than the dealer gets knifed by a rival dealer. WOW! This is one seedy town! Then the killer drives away but not before the good cop brother stops him because he's overparked by 15 minutes (oh brother!). Cut to the next scene and a detective is walking into the police station and I could have sworn he was the same guy as the killer (of course I'm watching this on a 20" TV so it's probably an easy mistake). Well I wont go on anymore about personal observations other than to say this is a great 1/2 of a movie and Taylor is looking really rogueish and bad, even saying if you cross me again "I'll break both your legs", thats pretty tough talk! But in the second half we get the polished MGM treatment and there is some pretty lame action and a lot of dialog, and Taylor turning a new leaf to be a good cop after all. Two things I noticed that had to be spoofed in the TV show "Police Squad" with Leslie Neilson, the stooly at the newspaper store and the final gunfight where they are shooting in between trash cans and no one is getting hit! Remember "Police Squad"? I was kinda grinning watch this movie thinking about it. Two TV personalities I noticed The Skipper Alan Hale Jr, as a heavy and The guy who was the Sheriff in Bonanza (musta chose him based on his flatfoot character here). Anyway 6/10 because its a crime thriller (which are my favorites next to good war flicks) and Taylor talks the good talk, he just doesn't walk the walk. Damn you'se lousy rogue cop you'se!
frankfob A hard-edged, gritty, violent little crime drama from, of all studios, MGM! Probably the closest that studio ever came to a noir thriller, only the overall gloss gives it away as an MGM film (guess they just couldn't help themselves); otherwise it could well have come from Warners or RKO. Robert Taylor is in top form as a hardened detective who has been immersed for so long in the seedy, seamy world of big-city crime that he finally succumbs to its corruption and is even tempted to sell out his younger brother, who is also a policeman. George Raft as the slimy crime boss, Janet Leigh as his brother's pretty, sweet (but hardly naive) fiancé, Robert Ellenstein (in a standout performance) as his partner and friend who doesn't want to see Taylor become the kind of lowlife he's always hated, all combine with a Chandler-esqe script by Sydney Boehm, tough, no-nonsense direction from Roy Rowland (a reliable but somewhat stolid director of mainly westerns and musicals) and a violent, action-filled climax to make this a must-see for noir fans. Highly recommended.