Shut Up Little Man! An Audio Misadventure

2011
6.6| 1h30m| NR| en| More Info
Released: 26 August 2011 Released
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In 1987, Eddie Lee Sausage and Mitch Deprey recorded the nightly squabbles of their over-the-top neighbors, homophobic Raymond Huffman and proudly gay Peter Haskett, and the chronicle of the pair's bizarre existence soon took on a life of its own. This darkly funny documentary checks in with former punks Eddie and Mitch, who detail their late-'80s Lower Haight surroundings, and surveys the tapes' influence on an array of underground artists.

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Director

Matthew Bate

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Shut Up Little Man! An Audio Misadventure Audience Reviews

Jeanskynebu the audience applauded
ThrillMessage There are better movies of two hours length. I loved the actress'performance.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
zif ofoz this documentary left me feeling giddy but cold. the recollections of ivan and daniel are the best and most human part of this film. the telling of the pete & ray story is a bit creepy, but i just couldn't stop watching.it's all real and that is what is so disturbing about this story. two humans treating one another like trash yet the watcher or listener finds it entertaining and at moments a brilliant use of the English language in phrases. i must admit i had to laugh along with the thousands of others - but it's an uneasy laugh!this flick is also a wonderful look into the pre-internet subcultures and how it spread nationwide. fascinating! and they also bring up the legal ramifications in their story!it's worth watching. they did a good job. it does get to a boring part, but stick with it as that is very short then the pace picks up.
Sean Lamberger The story of Raymond and Peter, mean drunks and awful roommates whose constant shouting matches - committed to tape by frustrated neighbors - made them an unwitting, unsuspecting pair of underground celebrities. Like the thematically-similar Winnebago Man, the quest to learn more about these clueless cult legends is much more rewarding than what's actually at the end of the trail. While the focus hovers on revisiting the tapes, hearing the men who recorded them reminisce about the glory days, and watching dozens of talking heads throw on a headset and burst into genuine fits of laughter, it's a light, cheery smile a minute. Later, when the inherent humor of the material begins to run out, the whole picture begins to look downright pathetic. Hearing about the legal struggles that surrounded the story's film rights, witnessing the self-important ruminations of the guys who held the mic, seeing how confused and flabbergasted Peter was about the phenomenon, captured on film years later... these actually take away from what made the tapes so enjoyable in the first place. As a momentary distraction, an escape from the mundane to voyeuristically laugh at the worst state of the human condition, the tapes are in their element and at their best. This level of over-inspection only rubs away the veneer and many of the laughs.
Paul Day In the end, this movie felt like an excuse to milk the tapes for a little more fame and/or money.The first 2/3rds nicely chronicle how the whole phenomenon took place. And it truly is fascinating. You get a sense of how strange, serendipitous and organic it must have been to have a personal project turn into a meme.But the key word is "organic". Other people drove the Pete and Ray story. The partners, correctly, said "go ahead" since, in effect, it wasn't really theirs to control.It's when they take control that movie inadvertently reveals that, rather than a sweet, hapless pair that fell into something, they've staked their identities on this one thing and they've become kind of self-important assholes.When Eddie Lee made proclamations about "art" my first thought was - "Really? What other art have you created? Because an artist normally creates more than one piece of art and all you did was tape some guys screaming at each other. Other people picked it up and turned it into something. Duping tapes and giving them to people...well...that's not really art." After that, the pair goes on a quest to do the one thing that art should never do - explain itself. Tracking down Ray, the roommate, felt like a stunt. It was a fishing trip to solve the riddle of whether Pete and Ray were lovers. That's dull and pointless.Art, imho, allows people to project themselves into and onto what they see. These two, Eddie in particular, seem to want to prove something that doesn't need to be proved. Wrapping up the film with the Pete and Ray dancing sucks everything that's interesting about the relationship out of it.
jdesando Imagine, if you will, a couple of cartoonist Harvey Pikars living in the next apartment in 1987 San Fran; only these two aren't savage cartoonists and don't have Harvey's wit or wide-ranging interest in humanity. They're just a couple of aging men, roommates, one gay one straight.Shut Up Little Man! An Audio Misadventure is the strangest documentary you'll see this year or almost any because nothing really happens except that filmmakers Mitchell D and Eddie Lee Sausage tape their two old neighbors, who, when drunk, verbally abuse each with the same repetitive expletives, the most memorable being Ray's, which is the first part of the film's title. Two elements of the experience are worth noting: a viral fame came by way of a world-wide network of lending tape organizations (remember, no You-Tube or Internet), and talk of litigation about privacy rights appears and then vanishes.These two topics could have been the heft needed to counterbalance the repetition of Ray and Pete's rants, which are strangely uninteresting except for our voyeuristic interest in loser humanity and the sheer banality of their lives, perhaps reminding viewers of their basest moments of stupidity and anger against a loved-one.The doc is peopled by geeks who spend a large part of their lives pursuing these tapes as if they were the private conversations of Charlie Sheen. Wait! That's the answer: We love the salacious, degraded moments of someone else's life because we feel superior or we need to know that others have the same weird moments we do. I must admit to a fascination with the rhythmic patterns of their language, poetry from the tenement but not T.S. Eliot.Its lowness mystifies me, an art house fan, and yet attracts me, as a winsome prostitute might. I know she's not part of my life, but for some reason I'm compelled to invite her in.