Son of Fury: The Story of Benjamin Blake

1942 "Bold Swooping Tremendous Adventure!"
7.1| 1h38m| NR| en| More Info
Released: 29 January 1942 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Sir Arthur Blake has inherited title and lands from his brother. He also has his orphaned nephew Benjamin working for him as a bonded servant. While he believes the lad was born out of wedlock and so cannot claim the inheritance, he is taking no chances. Benjamin eventually rebels against his uncle and sets sail to try and make his fortune. This may enable him to return to prove his claim to being the rightful heir to the estate.

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Director

John Cromwell, Darryl F. Zanuck

Production Companies

20th Century Fox

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Son of Fury: The Story of Benjamin Blake Audience Reviews

Crwthod A lot more amusing than I thought it would be.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
clanciai A delightful film from the best years of Hollywood, when they really could make a good film out of a good story, and this one is glittering from beginning to end with eloquent innovations, telling the story of a hot-blooded aristocrat robbed of everything, dishonoured and kept down but returning with a vengeance. All the obligatory ingredients of a successful Hollywood film are here: a dashing central hero of good looks and great spirits, an outrageous crook of revolting villainy, more than one great romance, fantastic adventure, gorgeous sailing ships, and best of all: Polynesian belly dancers, actually bringing back the best days of "The Mutiny of the Bounty" and its extreme romanticism. Gene Tierney makes one of her first and best appearances of a sort she could never repeat, Tyrone Power is here still on top, and George Sanders makes a typically unsympathetic bully with bravura. Alfred Newman's music adds to the glitter, and although it's a rather superficial story, it's great adventure, and the romanticism must appeal to anyone. This is an irresistible treat for any lover of great romantic adventure on the screen.
tomsview This film stars two of the most stunning women ever to step before a camera, and two of the most troubled ones: Gene Tierney and Francis Farmer.Set in Georgian era England, this is an absorbing film. It's the story of Benjamin Blake (played as a child by Roddy McDowell and later by Tyrone Power) who after being orphaned at an early age, is cheated out of his title and inheritance by Sir Arthur Blake (George Sanders), his sadistic uncle who keeps him as a bonded servant.Ben escapes and stows away to a remote island in the South Pacific at a time when travel was a lot more difficult than dropping into Harvey World Travel or hitting the Trivago App on your iPhone. Years later he returns to England to put things right.Along the way he falls in love with two women. The first is Sir Arthur's daughter, Isabel Blake (Francis Farmer). Not much of it is made in the film, but this surely would have to be a non-starter as she was his first cousin. Nevertheless, Francis Farmer was never photographed to better advantage than in "Son of Fury", dazzling is a fair description. This was her last movie before her life fell apart.The second is Eve, the native girl Ben meets on the island played by Gene Tierney. The camera loved her and those amazing cheekbones that allowed her to play a wide range of ethnicities from Ancient Egypt to Polynesia - nearly always as a princess. It's sad knowing that this was about the time she too was overwhelmed by personal problems.Tyrone Power made every movie he was in seem important. Not just darkly handsome, you felt there was depth to his characters, and he could wear a Regency top hat and coattails as though he was born to the era.For anyone who loves movies of the golden age, the fact that the film stars George Sanders is reason enough to see it. Along with his trademark disdain he projects a powerful physical presence. He was a big dude and in the boxing scenes he looks surprisingly fit, and as though he knew some moves. It would be best to smile when calling him a fop.The whole production is polished with plenty of glass shots and moody sets; the slightly unreal quality gives it a touch of movie magic. The film features brilliant characterisations right down the cast list, and Alfred Newman contributed a vibrant score drenched in salt air and the aroma of the South Seas.You don't have to be a film buff to enjoy "Son of Fury", but it adds to the enjoyment if you know something of the stars and the filmmakers. They have all gone now, but this film is a lasting testimony to their talents.
flyingleatherneck I was surprised by 'Son of Fury', not expecting much, but it's actually beautifully constructed, with terrific writing and wonderful turns by the actors. Power is as solid as I ever saw him, Sanders is stupendous, and Dudley Digges straight out steals the show as the Barrister that no-one would ever want to battle. The tale of a man who starts poor, goes away to a South Pacific Island in order to seek rare pearls (for wealth), plotting his return to London to claim the estate and title that he's been cruelly denied and is rightfully his, to do so, using money to fight, to exact his revenge, but in the end give it all up to return to the Island and the heart-melting Eve (Gene Tierney) (for love) is beautifully told and tremendously touching.The great strength of this movie is its sharp observations about the great fraud of the class system, human rights, and what's really important in life. Digges (as the Barrister Pratt) sums things up at one point by saying, "Because they know it is only a sham that keeps the likes of them up and you down. The sham of blood. The truth is a man's a man whatever you name him."Hear hear. Those old movies, they did it well.
vosamis-1 Why is Frances Farmer referred to as "the late. Are the other cast members all still living? What is the difference between heal and heel?On another subject, does anybody know who is the man coming out of the screen door of Selznick Interntional movie studio? You just catch a glimpse of him during the introduction before the picture fades out. Maybe it is Mr. Selznick himself?In the cast is says that Dennis Hooey was in it, but could not find him? He played Inspector LeStrade in the Sherlock Holmes movies. Any help on this also appreciated.One day would like to make a visit to the former Selznick Studio. Actually, this movie was made by the Fox Co., wasn't it? Sorry about that. I once spoke with a top public information officer of 20th Century Fox sorry again, and when I asked her why FOX was all big letters in the e-mail I had received, she said she didn't know. I asked "Isn't that a person's name?" and she replied, "I don't know, is it?" I found that an interesting comment on the current education system in the United States.