The People Against O'Hara

1951 "O'HARA MIGHT BEAT MURDER - IF HIS LAWYER CAN BEAT THE BOTTLE!"
6.8| 1h42m| NR| en| More Info
Released: 01 September 1951 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A defense attorney jeopardizes his career to save his client.

Genre

Drama, Crime

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Director

John Sturges

Production Companies

Metro-Goldwyn-Mayer

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The People Against O'Hara Audience Reviews

TrueJoshNight Truly Dreadful Film
Actuakers One of my all time favorites.
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Raymond Sierra The film may be flawed, but its message is not.
vincentlynch-moonoi I should begin by saying that I'm a tremendous fan of Spencer Tracy...second only to Cary Grant. But even having said that, I think this is a very fine film noir which interestingly combines courtroom drama with back alley thugs.Spencer Tracy plays a criminal defense lawyer who demoted himself to civil law after alcoholism took its toll. But then a family he has long known pleads with him to take their son's (a young James Arness) murder case. Tracy starts out strong in court, but his inner doubts soon begin to take their toll and he begins to romance liquor again...and looses the case. But he won't stop, and ultimately proves his client innocent, but at the cost of his life as he is gunned down on a dark street. You'll almost certainly see that coming, but there is a high degree of suspense here.The acting in this film is quite good. Tracy is dependable as he almost always was, and this must have been a difficult film for him, considering his own problems with alcoholism. Maybe that's why he plays it so convincingly. Pat O'Brien plays a cop friend just about the way you'd expect him to. John Hodiak is very good as the District Attorney...too bad his life as an actor was cut short. Diana Lynn, who never really made it big, is very convincing here as the daughter concerned with the pressure her father will be under during the trail, as well as the alcoholism problem.One for the DVD shelf? Yes, if you're a Tracy fan! Maybe, even if you're not.
Michael_Elliott People Against O'Hara, The (1951) *** (out of 4) Part noir and part courtroom drama, this film isn't a complete success but it has enough going for it to make it worth viewing. In the film Spencer Tracy plays an alcoholic lawyer who decides to help a couple poor friends out by defending their son (James Arness) who has been accused of murder. The lawyer knows the kid is innocent but he can't get enough information on the streets as to who the real killer is so he must put his own life on the line to try and clear his client. Sturges and Tracy would re-team four years later on the masterpiece BAD DAY AT BLACK ROCK and while this film is no where near that one, this here at least offers up some fine performances and a terrific ending. I think the weakest aspect of the film was the actual court case. I'm not sure what it was but it really seemed like Sturges was struggling with how to build up any type of suspense during these scenes. The courtroom stuff just didn't contain enough suspense or anything overly interesting to make it work very well. I thought the director did a much better job with the personal demons battling Tracy as he's trying to avoid drinking but as the pressure builds he keeps wanting back at the bottle. Sturges handled these scenes extremely well including a heartbreaking and rather shattering one between Tracy and his daughter (Diana Lynn) as both of them break down and let their emotions show. It comes as no shock but Tracy is terrific as usual. He did a really good job with the role and the scenes with him battling the alcoholism were very well handled and you could tell Tracy was giving it his all. He suffered from drinking his entire life so I'm sure he put some of his own feelings into the role and they show. Pat O'Brien gets a pretty good bit as the Detective working the case and John Hodiak is very good as the D.A.. Lynn shines in her scenes including the unforgettable moment mentioned earlier and we also Eduardo Ciannelli playing a gangster. I really wasn't too impressed with Arness here who gets several scenes where he's suppose to be playing scared and frustrated yet I didn't believe either emotion. If you look quick you'll see Charles Bronson sitting around a diner table. While the courtroom stuff doesn't work too well the director makes up for this in the final fifteen-minutes where we get a masterfully directed sting sequence. Basically Tracy, the D.A. and the cops try to lure the real killers out and this is done with Tracy leading the way yet we never get to see him. It's filmed from the cops point-of-view as they listen to Tracy over a radio and the way this is done builds up a terrific amount of suspense and easily makes the film worth sitting through for.
whpratt1 Spencer Tracy,(James P. Curtayne), plays a lawyer who wants to get away from Criminal Law and go into Civil suits with not very much pressure, because he has a drinking problem. Jim Curtayne's daughter,(Diana Lynn),(Virginia,Ginny,Curtayne) is staying with her father and keeping an eye on him for at least two years, in order to keep him away from the booze. James Curtayne soon gets involved with a family he has known all his life and decides to help them when their son gets involved with a murder. John Hodiak,(Louis Barra) is the Defense Attorney and gives James Curtayne a hard time in the court room. Pat O'Brien,(Detective Vincent Ricks) is an old friend of James Curtayne and tries to help him stay focused on his law case and does give him some important leads. There are many twists and turns in this crime drama and Spencer Tracy gives one of his best performances in this Classic 1951 film.
bmacv It's a shame this movie never lives up to the dark promise of its opening images: Night in a run-down quarter of the city; an all-night coffee shop, like Edward Hopper's "Nighthawks"; an old Swedish salt stumbling around. In deep background, a door opens, flooding a stairway with light. Then, shots ring out. What it's all about is a young man framed for a murder, whose impoverished parents coax "retired" defense attorney Spencer Tracy to exonerate him; Tracy plays half Clarence Darrow and half gumshoe. Despite the obligatory falling-off-the-wagon scene (where he succumbs to ethical temptation) it's a solid job. The noir influence goes beyond the camerawork; the ending is darker than you might be led to expect.