The Sum of Us

1995 "We're all just . . . The Sum of Us."
7.3| 1h40m| R| en| More Info
Released: 08 March 1995 Released
Producted By: Samuel Goldwyn Company
Country: Australia
Budget: 0
Revenue: 0
Official Website:
Info

A widowed father has to deal with two complex issues: while he is searching for "Miss Right," his son, who is in his 20s and gay, is searching for "Mr. Right."

Genre

Drama, Comedy, Romance

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Director

Geoff Burton, Kevin Dowling

Production Companies

Samuel Goldwyn Company

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The Sum of Us Audience Reviews

WasAnnon Slow pace in the most part of the movie.
GurlyIamBeach Instant Favorite.
ShangLuda Admirable film.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
grantss A sweet, sensitive movie on an original topic, especially for its time.Making a movie that features a homosexual man, his relationship with his father, how his father accepts him and loves him unconditionally, and their trials and tribulations, makes for a very original and special story. In 1994, when the movie was made, it would have been even more novel.Sensitively told story, based on the play by David Stevens.Great performances by Russell Crowe and Jack Thompson as the son and father, respectively. The banter between them is one of the highlights of the movie.A timely reminder of how much of acting talent Russell Crowe has, here demonstrating his range. This was to be his last local (ie Australian) movie before hitting the big time. His next movie was a Hollywood one - The Quick and the Dead - and he got third billing...
court99 This movie took me by surprise, it is personable, sincere and utterly Australian. It explores its themes in a beautiful manner, through the relationships between family, especially father and son. Don't be put off by Russel Crowe. I myself almost didn't watch it because he was in it, but I have to say, he did a brilliant job. He took the character and made it his own, and I feel no one else could have played the part any better. Take into account that this movie was originally a stage play, so there are various monologues and direct engagement with the audience. This at first is a little surprising and perhaps even uncomfortable, as we are so used to being purely observers when watching a movie. After initial surprise however I found the technique refreshing, it gave the film a more personable and intimate quality. I revel in how Australian this film is, the fact that I use the same brands of mustard and soy sauce which at one point appeared at the dinner table, made me unusually delighted and also pulled me into the realism which the film tries and succeeds in conveying. At risk of sounding patriotic, it almost made me proud to be Australian. This is probably one of my favourite movies, in its exploration of love and how it should not be dictated by the limits of our society.
rich-roirich I just saw this movie on the Independent Film channel, which may be showing because of the popularity of Brokeback Mountain in theaters now, which has another young Aussie's, Heath Ledger, award-winning portrayal of unrequited love for another man. In "The Sum of Us", Crowe (at age 30) portrays a straight-acting but fully "out" gay man, (Jeff Mitchell) a plumber and rugby player in his mid-twenties subtly acting his disappointed love for another gay man his own age. Crowe's brilliantly nuanced performance underscore his acting genius and the viewer can favorably compare this work to his captivating work, three years later, as a tough cop (Bud White) in love with a high-class call girl in "LA Confidential." "The Sum of Us" however has a more universal theme, as Jeff and his widowed father also work out their relationship: Filial love is contrasted with romantic love. Also, black and white flash-backs to his beloved grandmother's long-term lesbian relationship highlight the universality of the movie's theme. This is no skin-flick; it is raw emotion in a compelling plot, artfully and sensitively written, acted, directed and filmed. Kudos to IFC channel for broadly showing this film, which deserves wider distribution on DVD in the US.
gezmar Watching this movie for the first time in nearly ten years I was reminded of how it was very much window of its time but also a movie with universal themes of love that will always keep it relevant and involving.The narration to camera by the two main characters can take a bit of time to adjust to but once the movie settles in the main story between the father and son is very moving as it is the story of unconditional family love and loyalty. The movie is also about the search for love and growth in life as both characters are there for each other in the sometimes troubled journey.The son in the story is gay and this becomes a primary focus in the story. The father is not only tolerant but encouraging of his son finding a male lover.Jack Thompson and Russell Crowe are both terrific in their roles. Both actors are known and play their roles as "typical, masculine" Aussie blokes. (Warning: you will have to allow for some very coarse Australian humour between the male characters)In this scenario, though, that Aussie bloke persona has different dimensions. The son although a "blokey" plumber who plays football, is gay; the father is well read and has an enlightened view of life as he passionately encourages his son to not only find love but to read more, to dream big and discover the world.Jack Thompson's Harry is a wonderful character to journey with as he merrily goes forward in life, determined to find love and fulfillment, despite the blows that life has dealt him. Harry also comes across as an ideal if slightly overbearing father figure to Jeff. Russel Crowe's Jeff is a character that anyone, gay or straight, will identify with who wants to find love but is cautious not to be hurt and rejected again.The movie was released in 1994, a time in Australia when the Sydney Gay And Lesbian Mardi Gras(featured in a scene in the movie) was arguably at it's peak, in terms of crowd attendance and media exposure and the nation was very progressive towards equal rights for gay and lesbian people in Australia. Eleven years later the movie can be viewed partly as window to that time that now seems bygone as the nation is currently in a large conservative grip.But no matter what what the political climate the film's universal themes, star quality as well as the beautiful sunny shots of Sydney will guarantee it will be around and viewed for many years to come.