Grimerlana Plenty to Like, Plenty to Dislike

Exoticalot People are voting emotionally.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

arthur_tafero I was hoping for a more compelling film; but there was far too much dialogue, and not enough action. Especially, after the basic training section of the film, which is actually the better part of the movie. There were just too many bromides and cliches that were continually interfering with the natural evolution of the film. The actors did a competent job, as did the director, but the production values, to say the least, were slipshod. Maybe it was because it was an armored division. Armored division films of WW all seem to suffer from similar shortcomings; with the exception of Patton. Films like The Battle of the Bulge, The Battle of Alamein, Desert Fox, Rommel, and even the modern Fury with Brad Pitt, all had character development problems, action sequence problems, and pacing problems. Doing dialogue for these types of films is very difficult to accomplish; that is why very few of them are highly praised compared to infantry, naval, and air force films. The natural confining aspect of a tank does not lend itself to good development of dialogue. However, to be fair, the film is watchable and entertaining, and will satisfy most WW 2 genre fans.

Leofwine_draca THEY WERE NOT DIVIDED is a near-forgotten British WW2 movie, directed by none other than Terence Young, the man who would later helm DR NO and FROM Russia WITH LOVE amongst other well-remembered movies. By comparison, this is the kind of film that few people bother watching and even fewer remember these days. It doesn't help that the script is quite dry, the narrative fairly stodgy, and there's a distinct lack of big-name actors to give audiences a reason to watch. Instead, THEY WERE NOT DIVIDED goes for a low key, almost documentary-style approach as it follows new recruits as they join a Welsh Guards battalion, train, and eventually journey to France to see action in their tanks.This kind of template is familiar from the modern-day likes of BAND OF BROTHERS but the execution is only so-so here. There's a lot of talk and back-and-forth dialogue, but when it comes to the action, the big set-pieces that everybody remembers are hurried through. Stock footage is also used quite liberally. I didn't mind the unknown lead actors, although the heavy-handed messages smack of propaganda (basically, America and Britain should work together as one) which is bizarre given that the war had been over for four years when this was shot.Most of the fun comes from spotting future actors in support. Michael Brennan (LUST FOR A VAMPIRE) is particularly good fun as the enthusiastic Welsh soldier, and there's a cameo from real-life RSM Brittain, who adds some humour. Christopher Lee only has a couple of lines but is in the background in almost every scene in the film, while future Q Desmond Llewellyn plays a tank driver.

writers_reign This was Terence Young's fourth outing behind the camera and perhaps wisely he opted to play it safe opting for a subject - the second world war - that was still providing material some five years after it ended and illustrating it via the usual tried-and-true clichés. After a somewhat stodgy, pedestrian opening Young allows his two protagonists, Edward Underdown and Ralph Campan, to steadily forge the friendship that is the core of the film. In true cliché style they met on their first day of basic training, graduated as officers together and served in the same regiment. We follow them in their day jobs through France post D-Day and in their other lives - Underdown happily married to Helen Cherry and Campan, a late developer, finding a wife of his own about the eighth reel. There was really only one way to end it and Young obliges by killing them both off in the last reel and having them buried in twin graves by a third man, a sergeant, who had also met them on the first day of basic training. Made in 1950 it's a tad hard to swallow in 2010.

Paddy-28 This is an early work of Terence Young, the director, but a well-made, engrossing and ultimately very moving British war drama of World War II. Interestingly a very young Desmond Llewelyn has a cameo role as a Welsh tank commander, and when it came time for Young to find a new Q for the second James Bond movie, the original no longer being available, he remembered Llewelyn and cast him in what is now the longest running continuous role in the James Bond saga.