Kill Django...Kill First

1971
4.8| 1h26m| NA| en| More Info
Released: 05 February 1971 Released
Producted By: Tusisa Fonexa Films
Country: Spain
Budget: 0
Revenue: 0
Official Website:
Info

Johnny fights the banker Burton, who tries to acquire with the help of the strange bandit Martinez, in an unlawful way, all the gold mines in the nearer environment.

Genre

Western

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Director

Sergio Garrone

Production Companies

Tusisa Fonexa Films

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Kill Django...Kill First Audience Reviews

Stometer Save your money for something good and enjoyable
Listonixio Fresh and Exciting
Dorathen Better Late Then Never
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
croco dopolis This farce is 80 minutes of my life I'll never get back. Watching paint dry might have been equally as entertaining. First of all, there's no "Django" in the cast, and this movie has nothing to do with any "Django". It's just another low-budget potboiler that never managed to get to a lukewarm simmer. Giacomo Rossi Stuart, in the lead role as "Johnny" is too much a pretty boy to be credible in a Spaghetti western. Aldo Sambrell, as the arch-villain "Burton" (recognizable from "For a Few Dollars More" and "The Good, the Bad, and the Ugly"), the only real talent in the cast, doesn't do much other than stand around all dressed up sipping whisky and smoking cigars. There are a lot of characters, but no character development. The same can be said of the plot, such as it is. It's like the writers started out with an idea, but then forgot what it was somewhere along the way to the set. Characters we know nothing about appear from nowhere and then disappear and reappear randomly through the film. Some of the music by Elsio Mancuso has been recycled from "No Room to Die" (Una lunga fila di croci)(1969), further adding to the cheezy feeling. One star out of ten, only because IMDb won't allow ratings of ZERO stars.
Leofwine_draca I watched this stock spaghetti western under the title TEQUILA, although I see that it was already released as a pseudo DJANGO sequel under the title KILL DJANGO...KILL FIRST. It's a low budget but watchable piece of entertainment that metes out the stock plot elements with speed and efficiency, as low budget and undistinguished as they are. Giacomo Rossi Stuart is the square-jawed hero of the piece who arrives in town only to discover that a corrupt banker is trying to buy up all the local gold mines using nefarious purposes. There are a few odd plot elements including the presence of a kooky stranger, a voluptuous showgirl played by Diana Lorys, and Aldo Sambrell as the stock villain. It's fast paced although not particularly involving, although at least it isn't boring.
unbrokenmetal Santana (Aldo Sambrell) and his bandits steal a handful of gold, and Santana kills all his men in the following night while they are sleeping, so he can keep the whole gold for himself. But that was just the start for him. Years later, he lives in the disguise of the respectable businessman Burton and commits crimes on a much bigger scale: getting his hands on all the gold-mines in the area. Some owners of promising mines find an unexpected death. The old miner Thomas (Silvio Bagolini) gets a stranger (Giacomo Rossi-Stuart) and a bounty hunter (Mario Novelli) to fight for him and the other miners against Burton.'Uccidi Django... uccidi per primo" is a shoddy piece of work from Sergio Garrone who normally shot better westerns. Occasionally, some skills show through, for example the dark, mysterious scene when Burton and the psychopathic killer Lupe (George Wang) are meeting in a cave. But there are many poorly executed scenes. See for example the scene after 5 minutes where the bandits are riding through the gate. The bag with gold is dropped by Aldo Sambrell, but he keeps riding on. Obviously, they did not want to make a second take, so the first take with this silly mistake stayed in the movie. Otherwise, it's a great role for Sambrell though who dominates the picture, whereas he often played only supporting roles in other westerns.
Semi-evolutionary I think this is more usually known in English as DJANGO, KILL, or DJANGO KILL (no comma). Known for completely over the top wild violence and rivers of red blood. Some see a very hidden homo-erotic perversity to it, but there is so much general perversity all around in it, who can say if one more flavor matters? It is kind of fun (if that is the word) to see it if you put it in the context of all the other Italian Spaghetti Westerns of the 1960s. Watch the documentary "Spaghetti West" to see how this one fits into the overall trend. Coming to it cold with no background, it may just seem crazy. As, indeed, I think it is somewhat.