Map of the Sounds of Tokyo

2009
6| 1h49m| NA| en| More Info
Released: 02 December 2009 Released
Producted By: Versátil Cinema
Country: Spain
Budget: 0
Revenue: 0
Official Website: http://www.mapofthesoundsoftokyo.com/
Info

A Japanese assassin falls in love with the Spanish wine seller she was hired to kill.

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Director

Isabel Coixet

Production Companies

Versátil Cinema

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Map of the Sounds of Tokyo Audience Reviews

Wordiezett So much average
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
laneamala I knew nothing about this film or the director and thus had no expectations. I liked the film's title and the opening scene was very striking. I found the story to be a bit convoluted but was very drawn in by the main character, Ryu and her interactions with the two men in her life, one an enigmatic sound recordist and the other, the Spaniard who was the lover of the woman who killed herself and the man that Ryu is supposed to assassinate. She doesn't reveal herself to either man though both ask her to. So we also have no idea who she really is and why she does what she does. This mystery is part of the genre and as such, I accept it. It makes her all the more vulnerable as she begins to blossom through love's power.
jose_moscardo Well, what can I say? I am Spanish and I am a little familiarized with Japan and Japanese culture, my girlfriend is a Japanese girl living in Tokyo and I have visited the city. In my humble opinion, the portrait of Tokyo in this movie could be one of its limited virtues because at least is trying to show a different point of view focused not only on the typical tourist pictures but also on some not so glamorous places as small restaurants of ramen, a cemetery or a market for selling fish. Soundtrack is interesting and well chosen too, and nothing to complain about photography of the French Jean-Claude Larrieu. About Isabel Coixet, her work as a director is competent and even it has a "touch" more Japanese than Spanish (more concentrated on the silences or natural sounds than the dialogs or artificial noises, for example).Until here the positive. Now the not so positive, always in my opinion. First, the story. A professional killer falling in love with his (her) victim and breaking his (her) own rules with bad consequences. How many times we have watched this kind of story in a movie? Too many times, I think. Second (and specially), the main actor. Sergi López. He is a respected actor here in Spain, but sorry, to choose him as the man able to light some fire in the cold heart of Ryu is one of the biggest mistakes I have seen in a casting for a movie. Sergi López, let's be honest, is not tall, not sophisticated, too old for Ryu and also scandalously fat for this kind of character. He is not charming, his face is the face of a farmer or a boxer and his voice is annoying in its vulgarity.Again, sorry Sergi López, but nobody can believe that a very young Japanese girl can kill herself because of you, and also another young girl can fall in love with you until the extreme to risk her own life. Everything in only one month. Wow, are you some kind of Spanish chubby Bond with a special skill for melting Japanese girls? Isabel Coixet is a woman, and it's supposed a clever one. Does she believe the script? I don't believe it! And sorry sorry, even I can't believe López managing a wine shop for gourmet clients in Tokyo.
imbicta I don't particularly like Isabel Coixet's movies, but I can accept that her pulse fits well when screen playing dramatic, intimate novels. However, if you let her free to compose her own script, it's a disaster. This movie is a disaster. It takes borrowed scenes from Wim Wenders, Taylor Hackford (only An Officer and a Gentleman's final scene can compete with this movie's final scene) and Sofia Coppola (Lost in Translation is haunting this movie every second). The dialogs make no sense, the characters make no sense and what's even worse - her apparent goal of paying an homage to Tokyo is completely frustrated: this movie could be set in any other city, you don't even notice the influence of Tokyo.Don't waste your time, as I wasted mine.
efewebber Having enjoyed greatly many of Isabel Coixet's movies (notably "Things I never told you" and "The secret life of words") I must say I was quite disappointed by this last movie.It is difficult to point out what fails in this movie, but I certainly did not connect at all with its characters and situations. The movie is set in Tokyo, but contrary to "Lost in translation" here the movie tries to build half on Japanese characters and half on western ones, which really demands a deeper knowledge about japan. It is difficult for me to believe the Japanese part of the movie, first of all they all seem to speak very good English, which is, at least, difficult to believe, e.g. why would the Japanese girl, played by Kinko Rikuchi, speak good English at all?, why is the other guy working with the Spanish seller almost American? Must say maybe I am biased by my own experience with the Japanese people I met in japan, but certainly communication is in general much tougher than what Isabel portraits here.Of course all the visual and sound stuff is really good, beautiful takes, nice sounds etc, but the story really does not make any sense to me from the beginning to the end. As the movie develops I got mostly bored, the sex scenes seem empty, repetitive and with no special purpose.We do not get enough info to actually feel anything for any character, starting from the friendship between the guy recording sounds and the girl and ending by the business-man and his daughter. Everything seems fake to some extend and the whole story really appears to be built to serve as an excuse to go to Tokyo and enjoy the visual landscapes of the city (maybe just a documentary about the fish market would suffice).Sadly, I must say I got nothing of what I was expecting: neither a nice insight into Japan, nor a situation I could connect with. I certainly would prefer to watch "Lost in Translation", read Amelie Nothomb or watch a good documentary about japan to see beautiful takes of the country, instead of spending two precious hours at the cinema.In any case, I hope I ll enjoy better the next one from Coixet! (and I ll certainly keep enjoying Japanese food meanwhile)