Tales from the Hood

1995 "Your most terrifying nightmare and your most frightening reality are about to meet on the streets."
6.5| 1h38m| R| en| More Info
Released: 24 May 1995 Released
Producted By: 40 Acres and a Mule Filmworks
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.

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Tales from the Hood (1995) is now streaming with subscription on Starz

Director

Rusty Cundieff

Production Companies

40 Acres and a Mule Filmworks

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Tales from the Hood Audience Reviews

Vashirdfel Simply A Masterpiece
Pluskylang Great Film overall
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
gwnightscream This 1995 horror anthology film stars Clarence Williams III, Corbin Bernsen, Tom Wright, Lamont Bentley and Rusty Cundieff. This begins with 3 African-American thugs who arrive at a funeral home to make a deal with mortician, Simms (Williams) who reveals 4 true tales to them. The 1st features an ex-cop helping a murdered activist (Wright) exacting revenge on 3 crooked cops who killed him. The 2nd features a teacher (Cundieff) trying to help a young boy who is scared of an abusive monster. The 3rd features a racist senator (Bernsen) who buys a southern plantation and becomes haunted by a possessed doll seeking revenge for his tortured ancestors. The 4th & final tale ties the film with a violent gang member (Bentley) who gets shot and is experimented on for a chance of redemption. Soon, the thugs get more than they bargained for when they learn who Simms really is. This follows in the footsteps of "Tales from the Crypt," Williams is menacing in it and Cundieff also directed it. It's not bad and I recommend it to horror fans.
tbald1980-1 I wrote a review for this on Amazon a couple years ago, I figured I'd do one here as well. The first time I saw this, I expected a comedy, boy! I was dead wrong! To be honest, the first two stories were so freaky, I had my mom turn it off. Obviously, I'm a lot harder to scare now and like it overall, despite the constant language. It's kind of a social commentary with realism and supernatural overtones mixed together. This was my first horror anthology, followed by several others It's got a decent script, even though some will say 'I've seen all this before' but to me, clichéd doesn't have to mean bad, if the right people are in it/behind and in front of the camera, this was also my first Spike Lee film, so I won't judge it on those merits. I know he didn't direct it, but I've heard about a lot of his movies, some look pretty good. By the way, I'm not black either, but I have a large amount of respect for them. I'm getting off track here, bottom line: if you like horror stories with some semblance of reality, you'll probably enjoy this too, but you'll have to overlook the language.
marymorrissey For all but the last vignette this movie seems to be the occasion for lots and lots of gleeful indulgence in pretty disgusting racist profanity and other really offensive material - eg the violence at home chez monster in the closet which was really really over the top and next to nauseating and all the stuff that comes out of "duke's" mouth as he's chased around by the little dolls. there are lots and lots of roles of the sort that black actors really hate to play and constantly complain of being stuck with the 2 exceptions being those in which CW III and Roger GS are cast, both of them being a little too classy to offer any of the other negative-stereotypical central casting black roles that comprise the rest of the film. The white actors in this film, actually, are subjected to that sort of casting that blacks have to put up with lol so that's kind of funny. Poor Corbin Bernsen not that LA Law was such a great height to fall from but still . . . But it's OK ya dig cause it's directed by a black guy and co written by him with a white guy (let's sing together now, "ebony... and ivory..." etc) Well, it all sort of makes sense when you see the producer is spike lee, and so . . . I mean basically it has the same problem as the other spike lee films I've seen in that it's fundamentally separatist and whites and blacks can both enjoy making boogie men of each other in this movie. lucky audience eh? makes very strange viewing.The last story, though, was pretty cool though and sort of a tour de force all around, even if it was a copy of another film it was certainly freshened up. I would like to see its equivalent in Gay Cinema which is so full of us vs them BS.It was really cute how they made use of CWII's gap tooth smile :)This is a really tough one to rate so I'll give it a 7!
rpattz3000 As Mr.Simms says......ahhh....the s***. I really liked this movie.When I first saw this movie I was 15 yrs old and it scared the crap out of me.Especially the first story where those cops beat up Mr.Moorhouse and drove him to the deck and the cops put him in his car and drove his car into the water after they had over dosed him with drugs and after that he was calling out for Clarence to bring the cops to him and when the police came and that one cop whizzed on Moorhouses grave and he made his other partner whiz on the grave too and Moorhouse grabbed the cop and pulled him in the grave and tore his heart out and they showed Moorehouse standing there holding the cops beating heart and then he went after those other 2 cops.I didn't sleep for 2 weeks.I kept thinking I was gonna see Moorhouse standing over my bed or something when I woke up.I liked the story about the the boy who was being abused by his step dad and he said his step dad was a monster.And the one about the dolls was good too.