Smartorhypo Highly Overrated But Still Good

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Anthony Mantle "ragosaal's" review had it right with the outline of the movie. I too saw this movie at a theater in England when I was a youngster. And I too enjoyed the movie very much. I have from time to time checked to see if it has been made available to the public but it doesn't appear to have been. Some years back I had read that the ownership of this movie did not want to release it due to some political correctness issue. And it appeared they had no intent of re-releasing it ever. I have still continued to check just in case there had been a change of mind & in hope that at some new blood will think differently & release it as a DVD. The movie is a well acted movie by first class actors & the story is like High Noon with a solitary lawman fighting evil. It is a pity that such a well made movie is being withheld from an appreciative audience.

bkoganbing The Hellions according to some might well be considered Great Britain's first western although I think The Sheriff Of Fractured Jaw has a better claim. Ken Annakin better known for such Disney films with star Richard Todd like Robin Hood, The Sword And The Rose, and Rob Roy the Highland Rogue team together again for this film set in and shot in South Africa. It's the post Boer War era in the Union Of South Africa and the place still has a frontier feel to it. A family of real bottom feeders, the Billings clan headed by Lionel Jeffries is coming to town to settle a score with the local constable Richard Todd. They're a lot like the Clantons from My Darling Clementine and the Cleggs from Wagonmaster from those John Ford classics.In any event Todd who patrols the place unarmed gets his gun and wants some backup, but the town hesitates. Now he knows how Gary Cooper felt with those citizens of Hadleyville.In the end however Todd gets some help from a most unlikely source a man just sick and tired of kowtowing to these killers who collectively are known as The Hellions.Lionel Jeffries who usually plays comic village shows a savage side to him in The Hellions. Not something normally associated with him, but very good. Plaudits should also go to James Usys and Anne Aubrey as a husband and wife pair of storekeepers The Hellions intimidate.Note the harmonica parts of the music score are from the blacklisted Larry Adler who was probably the only American associated with The Hellions. They were a nice touch.As for the ending, think about the Frank Sinatra western Johnny Concho.

Richard Chatten A big hit in its day that has fallen into surprising obscurity, the audience deservedly gave the 'The Hellions' a round of applause at the end of tonight's extremely rare archive screening on London's South Bank of this singular British 'western' vividly photographed in Technicolor and Technirama by South African-born cameraman Ted Moore (soon to spend over ten years shooting most of the original James Bond films), evoking the brilliant sunshine of 1870s South Africa.The title song is one long spoiler describing the fate of the eponymous Hellions, who die "one by one...in the Transvaal sun"; so the suspense derives from trying to figure out just how this wild bunch are to get their comeuppance, and who they're going to take with them in the process. When the crunch finally comes the climax is pretty unbelievable but extremely satisfying.Although often compared to 'High Noon', the action more closely resembles 'The Desperate Hours'; and for a 1961 audience The Hellions would more uncomfortably have recalled Teddy Boys than hired guns. Visually, this collection of unkempt, gurning delinquents wouldn't have been out of place a few years later in a spaghetti western (Al Mulock, who plays Adam, was actually in 'The Good, the Bad and the Ugly'); although for all its impressive violence - including some eye watering scenes involving barbed wire - it retains a certain English fastidiousness, well-exemplified by the presence of Richard Todd as its hero. The superb performance by Lionel Jeffries (fresh from his terrifying Marquis of Queensberry in 'The Trials of Oscar Wilde') as the Hellions' patriarch is ably complemented by a script that even at the tensest moments displays a very dry black humour.

alkborough As with previous posts I agree that Lionel Jeffries was superb in this role playing a part far removed from what we are used to from him. James Booth also good, These were two of the 'baddies' and as such had strong roles. Richard Todd gave a good restrained performance in the leading role. Directed by Ken Annakin, one of my all time favourite directors, or at least partly directed by him. In his autobiography he reveals that well into the filming he was taken quite seriously ill and the remainder of the film was directed by Harold Huth and Clive Reed. Ken had given the cast 'carte blanche' to play the film as a tongue in cheek spoof and most were up to it but the rest of the film was directed with everyone playing straight. The critics panned the film for being 'uneven' - they knew nothing of Ken's illness. Ken also states that 'Irwin Allen's(the producer)girlfriend played the female lead - the less said about her the better' He doesn't elaborate Fortunately he recovered fully after his long illness and is still alive well into his 90s. I have just received a DVD of the film and I thoroughly enjoyed it.