Making Mr. Right

1987 "A man with a good warranty is hard to find."
5.5| 1h38m| PG-13| en| More Info
Released: 03 April 1987 Released
Producted By: Orion Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

When image consultant Frankie Stone is hired by a tech company to teach a scientist’s “Ulysses Robot” how to be a man, she winds up developing very real feelings for the faux human.

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Director

Susan Seidelman

Production Companies

Orion Pictures

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Making Mr. Right Audience Reviews

Vashirdfel Simply A Masterpiece
VeteranLight I don't have all the words right now but this film is a work of art.
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
maggieherndon2015 With the ratings this film has I didn't expect much, but instead found a hilarious rom com. Malkovich and Magnuson have great chemistry, and are able to carry this throughout the movie. Malkovich also does a nice job of playing the "android" without portraying a stereotypical robot. Minor characters such as the mother Estelle Stone (Polly Bergen), eccentric Sandy (Laurie Metcalf), and liberal Ivy Stone (Susan Berman) are also quite lovable. I stumbled upon Making Mr. Right On Demand and would definitely recommend it to anyone looking for a good comedy. The ridiculous 80s wardrobes, as worn most notably by Magnuson and Bergen, only add to this understated classic. With memorable characters and lines, a funny plot, and much more to offer I'm surprised this film isn't as popular as it should be.
Some call me Tim... I saw this film inadvertently, on a rainy Saturday afternoon in 1989, on pay cable. Had the sun been out and the barbecue not postponed, I might have missed this oft-overlooked Susan Seidelman entry.Okay, the plot - an image consultant is hired by the space program to groom a more palatable public image for its new android - is a bit far-fetched. It's a COMEDY. And the android, a doppelganger of its inventor (John Malkovich in a dual role), is imbued with its own personality. It's a COMEDY. And the top-secret android stows away and accompanies the image consultant off of the high-security base. It's a COMEDY.The purpose of this film was not to rival the "Star Wars" series with credible science fiction, nor to join the likes of "The Andromeda Strain" in the annals of tense government-related thrillers. The real spark behind "Making Mr. Right" is to explore what a contemporary woman might do if she had the opportunity to...well...make Mr. Right.As a fan of both the sci-fi and comedy genres, I quickly recognized this and relaxed my suspension of disbelief as the necessary nuts-and-bolts elements of android creation were hurled at me. Having done this, I managed to enjoy a passable comedy with a few laugh-out-loud moments.Malkovich, of course, is brilliant in his dual role as the antisocial inventor of the android, and the physically mature but childishly curious android itself. And Laurie Metcalf shows her gift for simultaneously subtle and over-the-top comedy in her role as the dangerously codependent co-worker who wants to claim the nebbish scientist for her own.Love triangles, double ententes and mistaken identity form the nexus of the comedic plot, but the film's conclusion about both the quest for and flight from love was poignant. The fact that said conclusions are not necessarily logical seems foregone, as love and logic almost always operate independently of one another.
Pepper Anne Making Mr. Right is one of director Susan Seidleman's funniest movies, perhaps even funnier than Desperately Seeking Susan. Plus, I love Seidleman's style, with such goofy situations always set in beautiful atmospheres with bright, art deco settings and neo/retro (60s with an 80s modification) wardrobe for both female and male characters. They were part of what made her movies so interesting.Once again, Seidleman has directed another great romantic comedy with a terrific cast. Ann Magnuson is Frankie Stone, a woman who works in high class advertising. She has taken on a new project to help find the proper advertising angle for a new creation that is going to change the future--an android named Ullyseus (Malkovich), designed by a seriously detached scientist named Jeff Peters (also Malkovich). A scientist and an identical, eager android is already destined for great laughs as the situations lead to a few wild misunderstandings. To Peter's dismay, Stone's quality time with Ullyseus (so she can figure out a successful advertising campaign) starts to make the android more human. And, ironically, he gains more human emotion than his identical creator, Jeff Peters, who gradually sinks into something more like an emotionless, android state. But Ullyseus wants to know what true love is all about (and Stone wants to know if such a thing is even possible).It is a sweet movie, as Seidleman's movie often are, mostly because all the actors (and their respective characters) work so well together. In particular, this is a great demonstration of Malkovich's talents. It is one of the few comedies I have seen him in. And, it's fantastic to seem his try to act like an android acting like a human. Also, Laurie Metcalf (who was in Desperately Seeking Susan), as usual, is one of the funniest characters in the whole movie (just wait till you watch the scene with her and Ullyseus at the mall). It is a great romantic comedy, and one that I think 80s fans are sure to enjoy. Plus, Chaz Jenkel (who did some of the music for 'Real Genius') adds some great synthesizer/bongo drums music for this movie.
negevoli-44 Another of my perfect comedies. It is brilliant from beginning to end, not to mention hilarious. And the things you learn reading these reviews -- I had no idea that Sandy was Laurie Metcalf, so I am going to watch it when I get home from work just because I am a Laurie Metcalf fan and can't believe I didn't recognize her. Ann Magnuson is absolutely unforgettable and I am really sorry her career didn't take off like a rocket after this movie. I won't go into detail because so many of the other reviews do, but I watch this at least once a year and it never fails to grab me. One of the most enjoyable movies ever made, with top-notch production values, beautiful and great photography, magnificent direction, and an outstanding and perfect cast. There may be one plot-specific and perfectly apt F word and only plot-specific and non-graphic nudity, which may account for it's relative lack of popularity. Why can't there be more movies like this?